NAME |
TITLE |
COUNTRY |
PAPER ID |
| Adam Somlai-Fischer |
Peer Property's Tangible Beauty; Creating cultural qualities through the making of open interactive architecture systems |
Hungary |
518 |
| Alejandro Jaimes |
Urban Sensoria- Culture, Content, Technology, and Locating Media |
|
422 |
| Aleksandra Dulic, Keith Hamel |
Intersections: Media - Action - Place |
Canada |
386 |
| Alessandro Ludovico |
Spam, the economy of desire |
Italy |
502 |
| Alessandro Ludovico |
Infection as communication. |
Italy |
503 |
| Alessandro Ludovico |
The persistence of paper |
Italy |
504 |
| Alexandra Gillespie, Somaya Langley |
Collar Weights - Artist Talk |
Australia/Germany |
445 |
| Ali Mazalek, Hyun Jean Lee, Yanfeng Chen, Aimee Rydarowski, Ken Perlin |
Flora Electronica: a media performance space across the physical and virtual worlds |
USA |
339 |
| Alison Gazzard, Alan Peacock |
Folded Space: How Computer Games Rework Our Ideas of the Maze |
England |
76 |
| Alok Nandi, Ajaykumar |
a_m_m_s: is zero no.thing? |
Belgium/UK |
476 |
| Andrea Ackerman |
Synthetic is More Sensuous: Advances in Neurology and the Aesthetics of New Media |
USA |
96 |
| Andrea Polli |
Ground Truth: Weather and Climate Observation and Embodied Experience in Antarctica |
USA |
21 |
| Andreas Weixler, Se-Lien Chuang |
Virtuoso Audiovisual Realtime Performance |
Austria / EU |
421 |
| Andres Burbano |
On Brains and Urbanism |
USA & COLOMBIA |
363 |
| Andres Burbano |
Open(Ing) Source | Art Work Presentation |
USA & COLOMBIA |
364 |
| Andrew Colquhoun, Maria de Marias |
Strategic transmissions : Livemedia and the Intensive Spatium |
Spain |
257 |
| Andrew Doro, Lesley Flanigan |
Plink Jet |
USA |
276 |
| Andrew Doro, Rory Nugent |
Electronic Copy (Infrared Detector Cloud) |
USA |
229 |
| Angela Main |
Incarnate Expositions: The hybrid mix |
New Zealand |
90 |
| Angelo Vermeulen |
Biomodd: A Living Game Computer As Social Sculpture |
Belgium |
94 |
| Aniruddha Dutta |
Negotiating a newer hybridity: Technology in Bollywood Film Songs |
India/USA |
200 |
| Anja Hashagen, Harry Seelig, Heidi Schelhowe |
"Der Schwarm" - An Example for Interaction of Computer Science and Performance Studies |
Germany |
443 |
| Anke Jakob |
Blurring boundaries between the real and the virtual - about the synthesis of digital image and physical surface |
UK |
273 |
| Annet Dekker |
PPS: PublicPrivateSpace
Where the public space turns into private space and the private space opens up to the public. |
Netherlands |
404 |
| Annette Barbier |
Representation, Visualization, Art and Science |
USA |
459 |
| Aram Bartholl |
"Online symbols in the offline world" |
Germany |
191 |
| Atteqa Malik |
Media Blackout: Networking News inside Pakistan |
Pakistan |
233 |
| Atteqa Malik |
Reflections on Karachi_Past Present and Future |
Pakistan |
385 |
| Axel Bruns, Jason Wilson, Barry Saunders, Tim Highfield Lars Kirchhoff, Thomas Nicolai |
Locating the Australian Blogosphere: Towards a New Methodology |
Australia |
278 |
| Ayesha Hameed, Anita Shepp |
Borders in the City |
Canada |
501 |
| Ayoka Chenzira, Yanfeng Chen, Ali Mazalek |
RENATI: recontextualizing narratives for tangible interfaces |
USA |
166 |
| Bahtiar Dwi Susanto |
A Reflection of Photography as a Media of Art and Technology, In Indonesia |
Indonesia |
387 |
| Barbara Rauch |
Virtual Emotions and Facial Expressions |
UK |
185 |
| Bard McKinley |
Expressive Goals in Gameplay |
USA |
361 |
| Becca Wood |
Foreign Correspondence: reconnecting the body |
New Zealand |
351 |
| Bello Benischauer |
artist presentation: digital media artist bello benischauer/Australia |
Australia |
139 |
| Bjarke Liboriussen |
Digital Dwelling: Building in Online Worlds |
Denmark |
342 |
| Branka Curcic, Konrad Becker, Martin Wassermair, Zoran Pantelic |
Presentation of the book "Non Stop Future", New practices in Art and Media |
Republic of Serbia |
414 |
| Brian Degger |
Location! Location? Location!! Can location neutrality exist in artworks? |
UK |
450 |
| Brogan Bunt |
View from the Castle |
Australia |
306 |
| Bruce Wands |
Rewriting Contemporary Art History |
USA |
517 |
| Byoung Chul Kim, Jong Soo Choi |
A study on the Alternative Artworks and Gallery based on AR |
South Korea |
216 |
| Byul Shin |
Virtual Reality in Science Fiction Films |
Korea |
240 |
| Cameron Ironside |
Quantum Uncertainty: Fragmentation in Art, Life and Reality |
Australia |
243 |
| Carl Diehl |
Blobsquatch: In the Expanded Field |
USA |
235 |
| Carl Skelton |
The Tibetan Book of the Dead LIVE |
USA |
57 |
| Carlos Augusto Moreira da Nóbrega |
Art as a field phenomenon |
England |
348 |
| Carlos Falci, Gabriela Jardim |
Cybernarratives configuration and code immersion: some perspectives |
Brazil |
133 |
| Carlos Rosas, Leanna Rosas, Robert Dansby |
Step and Repeat: SINGAPORE CYCLE (location.media.remix) |
USA |
266 |
| Carole Lipsyc |
Variable fiction, a new literary genre questioning cooperative writing and reality jam |
France |
232 |
| Caroline McCaw |
Visualizing New Zealand: a web of sites |
New Zealand |
39 |
| Caroline McCaw, Rachel Gillies |
Dunedin Does Not Exist |
New Zealand |
429 |
| Catherine Fargher, Narushima Terumi |
DNA in a suitcase: Border Transmissions and Hybrid Bio-Collaborations in BioHome: The Chromosome Knitting Project |
Australia |
271 |
| Cecelia Cmielewski, Ilaria Vanni |
Into the locative: grass roots cultural production and the digitalisation of urban borders |
Australia |
326 |
| Charlotte Gould Gould, Andy Nisbet |
A Ludic Spacial Narrative |
UK |
343 |
| Chris Bowman, Teresa Leung |
Visualising the Locative Experience |
Australia |
44 |
| Chris Wigginton |
Virtual Poiesis: ‘In-world’ Creativity and Collaboration |
UK |
469 |
| Christiane Robbins |
Find Yourself Here ... |
USA |
468 |
| Christina Nguyen Hung |
American Vectors: a project combining bio-materials, streaming media and military imagery. |
USA |
400 |
| Chris Clarke |
Post-Appropriation |
England, UK |
115 |
| Claudia Costa Pederson |
Critical Play interfaces |
United States |
218 |
| Claudia Cragg |
The Use of UGC and Web 2.0 in a New Media, Digital, Non-Fiction, Collaborative Project |
United Kingdom |
259 |
| Clea T. Waite |
Moonwalk |
USA / Germany |
86 |
| Colette TRON |
Writing, creating and knowledge in a digital medias and new technologies society (some problems and critics relatives to old and new languages) |
FRANCE |
320 |
| Colm Lally, Verina Gfader |
Condensation revisited - A Lecture on Pigments:3 |
UK |
63 |
| Constantinos Stratoudakis |
Applications Of The Soundscape Reconstruction (SR) Technology In Acoustic Ecology Research, Education And Entertainment |
Greece |
190 |
| Derrick de Kerckhove, Cristina Miranda de Almeida, Andrea Cruciani, Matteo Ciastellardi |
"w.Book & e.Margin. Wired Book and Electronic Margin" |
Spain |
149 |
| Cyril-André THOMAS |
TOUCH! TOUCH SCREEN a new HAPTIC! |
FRANCE |
138 |
