Education
1984 Bachelor of Fine Arts / Drawing and Painting; summa cum laude, University of Wisconsin, Oshkosh, Wisconsin, USA.
Selected Exhibitions / Activities
Solo Exhibition, Ngano Gallery, Berlin, Germany, 2002.
Solo Exhibition, Galerie Dauphin/Sabun Cabane, Singapore, 2001.
Solo Exhibition, German Research Center for Artificial Intelligence, DFKI, Saarbrücken, Germany, 1993.
Solo Exhibition, Harriet Hale Woolley Gallery, Paris, France, 1987.
Solo Exhibition, Oshkosh Gallery, University of Wisconsin, Oshkosh, Wisconsin, USA, 1984.
Group Exhibition, Woman Made Gallery, Chicago, USA, 2003.
Group Exhibition, Women Inspire Expo with UTU Artworks, Singapore, 2002.
Group Exhibition, Aldergasse Gallery, Dresden, Germany, 2002.
Group Exhibition, FOM Show, Asian Civilisations Museum, Singapore, 2002.
Group Exhibition, Women Beyond Borders, Sculpture Square, Singapore, 2001.
Group Exhibition, Art Forum, Singapore, 1999.
Group Exhibition, 21st Salon Rencontres, Mantes-la-Jolie, France, 1989.
Group Exhibition, Le Salon de la Figuration Critique, Grand Palais, Paris, France, 1988.
Group Exhibition, Brown County Library, Green Bay, Wisconsin, USA, 1986.
Group Exhibition, 43rd Northeastern Wisconsin Art Annual, Neville Museum, Green Bay, Wisconsin, USA, 1985.
Group Exhibition, Oshkosh Gallery, University of Wisconsin, Oshkosh, Wisconsin, USA, 1984.
Awards
Harriet Hale Woolley Foundation Scholarship, Paris, France, 1986 - 1987.
Best Drawing, 43rd Northeastern Art Annual, Neville Museum, Green Bay, Wisconsin, USA, 1985.
Robert G. Sharp Foundation Scholarship, Green Bay, Wisconsin, USA, 1981 - 1985.
Arts Unlimited Scholarship, Green Bay, Wisconsin, USA, 1981.
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About the artist / Artist's Statement
Visual artist Kelly Reedy’s passion for art history and culture has taken her around the world seeking inspiration. After completing a Bachelor of Fine Arts in the United States and France, she spent ten years painting and travelling in Europe, India and the U.S. Her experiences in Singapore since 1997 have transformed her female portraits into goddesses and other universal images. A long-standing interest in medieval icons has fused with a fascination for Asian folk arts. The latest body of work displays an original integration of several iconographic traditions. Reedy shows an astonishing mastery of forms, control of drawing and love of colour.